一直作(zuò )為米路斯．科曼(màn )劇(jù )本鐵(tiě )三角（另(lìng )一位是帕培(🕟)錫(xī )，也(yě )(🔱)是本片編劇(jù )(🎺)之一）成員的艾雲．(🍖)巴薩，當(dāng )然也走低度戲劇路線(xiàn )(🎲)。同(tóng )是音(yīn )樂家的彼德與(⚫)卡(kǎ )洛老友重逢，生(🛍)活狀況(kuàng )大不同，你有伴(🛹)侶我有(🚥)家庭，然而(ér )都有說不(bú )出的不(🙁)明朗，唯(wéi )有以(🥀)酒(🕕)與音樂代(dài )(🤷)替口水(shuǐ )。全片推(tuī )展不(🔩)問目的，只在(⏯)剎那間的意圖，行行(🌊)企企比(🥔)起科(🗞)曼(màn )更義無反顧，卻有生(shēng )活(huó )淡(dàn )如流(🙀)水的詩(⛓)意和繆思(sī )，叫(🥫)觀眾聯想(🔔)到(dào )二(èr )(🤲)十(🕙)年後的伊力．盧(lú )馬(mǎ )。巴(bā )薩(sà )鍾(zhōng )愛音樂的程(🕯)度(🌮)不下於文(🈁)字和電影，古(gǔ )典(diǎn )音樂(🛎)與民間(🐾)音(🦇)樂於全片迴轉迴盪，難怪成(🃏)了奇斯洛(luò )夫(💹)斯基十(💯)大心愛(ài )電影之(🎥)一(yī )。　　　　(😙)康城影展青年(💏)評審團獎，美國(🥅)全國影評人(🏴)協會(huì )特(🔎)別獎　　　　這(🖍)部(bù )(🔫)1966年的珍品，是捷(jié )克新浪潮短暫生命中最佳作品之一(yī )。成(🤼)名音樂(lè )家到(dào )小鎮探訪(🚩)舊(jiù )同(⛴)學，舊(jiù )同學是(shì )個窮音(🈳)樂(🐈)教師(🍯)，有時在喪禮上吹(chuī )奏樂曲。平(⛅)凡的素材(cái )在巴素手裡(🕵)，變出(📯)風趣復(fù )罕(hǎn )見(jiàn )的(de )旋律，一部憂鬱的喜(🍝)劇，或灰色喜(xǐ )劇。　　　　(🏁)- Dave Kehr, Chicago Reader　　　　Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.　　　　Special Award, National Society of Film Critics Awards　(🛤)　　　Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.　　　　- Elliott Stein, Village Voice　　(👚)　　Source HKIFF Czech New Wave 2006